08 Monday Mar 2021
Posted in Daily Band Practice
This one is my favorite. How many times will I say that this year, I wonder.
Electric. That is the best word I can think of for motifs like this. They exude such energy and movement. Similar to the motifs of Day 14, 15, and 16, this one is what really excites me about the possibilities of weaving on this warp background.
It is time for me to get out my color pencils and and graph paper and start playing. So, so many possibilities…
Until next time,
warp, weave, be happy! ~ Jennifer
07 Sunday Mar 2021
Posted in Daily Band Practice
To shorten the length of today’s motif I only wove a potion of it. But choosing what portion to weave…
There were so many possible ways to combine these two shapes. For example: the triangles pointing away from the diamond or diamonds on the outside of a triangle or two… I could easily get lost playing with design.
Until next time,
warp, weave, be happy! ~ Jennifer
Playing
06 Saturday Mar 2021
Posted in Uncategorized
Designs that pickup both heddled and unheddled threads are so visually interesting. The whole look of the band is completely changed. And, amazingly, at most I am only picking up five threads in any given row.
In cleaning out a bag that holds one of my inkle looms, one that I had not used in a while, (the bag, not the loom) I found a plastic baggie full of string heddles. I have no memory of ever making them…
I make all my heddles out of Omega Nylon Yarn. The yarn makes heddles that are slippery enough to not stick to my warp but strong enough to stay tied and not come apart. The best part is I can have fun colors designated for each loom. Do you have a favorite material for heddles?
The big bundle of red ones are the ones I don’t remember making. I twist them into little skeins and store them on mini alligator clip paperclips. They store so nicely in this little box. I used to store my heddles on the looms, but realized they needed a different home. What happens to the extra heddles when I am using the loom, or all the looms ( yes, sometimes all my looms are occupied)? This has turned out to be the best solution so far. How do you store your heddles?
05 Friday Mar 2021
Posted in Uncategorized
Again, I am reminded of how much I am enjoying the journey of this weaving study. There are so many possibilities for design on a horizontal stripe warp. This was such a simple motif to weave, yet creates such an attractive pattern. If I set the diamonds closer and wove additional diamonds in each row it could resemble a harlequin pattern. How cool would that be?
Until next time,
warp, weave, and be happy! ~ Jennifer
P.S. Today’s motif is from The Weaver’s Inkle Pattern Directory: 400 Warp-Faced Weaves by Anne Dixon, page 38.
04 Thursday Mar 2021
Posted in Daily Band Practice
Today’s motif is a sweet little diamond, the key word being little. It is only nine warp ends wide and nine pick tall. I felt it needed a friend, so I wove one. The orange diamond is the original design from page 38 in Anne Dixon’s book, The Weaver’s Inkle Pattern Directory: 400 Warp-Face Weaves. It is woven mostly using the unheddled threads, all except the two warp ends in the middle. Mine is woven on the heddled threads.
In counting out my pickup threads today, I realized I warped 26 pattern threads instead of 25. Hopefully some upcoming designs will not look too askew with a random line of color in the band. We shall see. Saturday’s motif is intense in pickup and is 25 ends wide.
Did you spot the mistake in yesterday’s motif? Someone wrote wondering where it is. See the little blue dot of weft peeking through. There should be an orange warp end there. I didn’t drop it from the front and it acted as a picked up warp end. Oops. I am always in awe of people who do wonderfully intense pickup and don’t skip any threads.
Until next time,
warp, weave, be happy! ~ Jennifer
03 Wednesday Mar 2021
Posted in Daily Band Practice
The technique of pickup with both heddled and unheddled warp threads makes it very difficult to maintain a consistent band width. (Ha, that’s a good pun.) When picking up many threads, the band will naturally want to draw-in. This happens even more the more threads picked up. One way to counter the draw-in is to drop the partner (heddled or unheddled) thread for every thread picked up. When the partner thread is dropped, the reverse of the motif will be on the other side.
The motif on the left is the original pattern from page 38 in The Weaver’s Inkle Pattern Directory: 400 Warp-Faced Weaves by Anne Dixon. The motif on the right is the band flipped over. And as I look at reverse side picture, I see a spot where I didn’t drop a thread. Oops. Weaving goes much faster when picking up only, and for simple patterns I usually only do pickup. This motif in the book only calls for pickup. But picking and dropping threads really makes a striking band. How do you usually do this type of pickup?
Until next time,
warp, weave, be happy! ~ Jennifer
02 Tuesday Mar 2021
Posted in Daily Band Practice, Design
If I were a statistician I would run the numbers on how any different ways a group of threads on a horizontal striped warp can be woven into a diamond. I almost skipped this motif, sure I had woven one exactly like it. Looking back over the band from January, I realized that I had not. A few diamonds are similar, like Day 6 and Day 23, but none are the same.
When I wove an outlined diamond the first time it was in a single color. Combining the two colors is striking.
Did you notice the brown is a bit bolder today? The brown seemed muted by the blue and orange, and was not present in a proportion that reflected my inspiration picture. It’s subtle, but I added another stripe of brown to each side of the band. And, I did it with out unweaving yesterday’s weaving. I simply tied on to the front peg, wound the new yarn on in the path of the band, sliding the yarn under the warp in the places where I needed to go under and over a peg. Since I heddle after I warp anyway, adding new heddles to the new warp ends was a snap. Then, I started weaving. This is what it looks like after the new warp ends are incorporated into the band.
After the band is off the loom, I will use a blunt, large eye needle, like a tapestry needle, to weave the ends into the shed, or space, where the weft is. The band will be a bit wider at that point, but otherwise, you won’t even notice a thing.
Until next time,
warp, weave, be happy! ~ Jennifer
01 Monday Mar 2021
Posted in Daily Band Practice, Inspiration
For the last week I have been pondering what the colors would be for the March daily band practice band. Orange was speaking to me as a color to work with, but I was at a loss for what the other colors would be. That is, until I found my inspiration picture on Saturday of the Namibian desert posted by Visages d’Afriques to their Facebook page.
I took a screenshot of the picture, printed it out and went to my Lunatic Fringe Yarns stash. Natural was perfect for the low brush, 5 Yellow Red for the rich orange clay, Burnt Umber for the mountains, and 10 Blue was the right blue for the sky.
I really like the combination. Why wouldn’t I, who am I to argue with nature? The brown doesn’t show the way I anticipated. I am tempted to add a bit more for it to stand out…
Inspiration comes without warning, and this was perfectly timed. This may be the first time I have used a picture as color inspiration. What inspires you in your weaving?
Motif from The Weaver’s Inkle Pattern Directory: 400 Warp-Faced Weaves by Anne Dixon, page 38.
Until next time,
warp, weave, be happy!~ Jennifer
inkled pink 